PAGE 3, 3
PANELS
ISSUE SYNOPSIS
Sierra meets her mom. They talk, and she reveals a
big secret. Sierra sees S-409 outside a window and chases after her. She's lead
to a secret base where she sneaks inside... and meets S-409 and Shawn.
PAGE 1, SPLASH PAGE
SIERRA stands in front of an apartment building. It's late, probably 10 pm.
SIERRA (CAPTION)
Well, this must be the place...
TITLE/CREDITS
Answers
Written by Nate Raymond (Nate1234)
Drawn by
Amber Shelton ({dixey}), Glockgal, Clare Mulroy (Tigrr Wildcat),
and Marie Yuen
Created by Nate Raymond and Tracie Mauk (Katroz)
PAGE 2, 5 PANELS
PANEL 1
SIERRA, now inside the apartment, knocks on a door.
SFX
KNOCK KNOCK
PANEL 2
The door cracks open to reveal a MARY CAMPBELL, a woman of
about 32 years. She has blonde hair and only slight signs of any aging. She's in
a robe and looks a tad tired.
MARY
Hello?
SIERRA
Hi, I'm Sierra Holt.
MARY
Oh! Okay, come right in!
PANEL 3
The door opens up to reveal a sort of dirty but otherwise
nice apartment.
SIERRA
Sorry about it being so late...
MARY
That's alright, I'm used to it.
PANEL 4
SIERRA looks around and is surprised to find a photo of a
young, blonde girl (about age 5).
SIERRA
Ah, cool. So, how's your night--
PANEL 5
Close-up of the photo.
SIERRA (OP)
Woah.
PAGE 3, 3
PANELS
PANEL 1
SIERRA now holds the photo. She realizes who the girl in
the photo is and is shocked MARY has it.
SIERRA
This is me!
MARY
Yes.
PANEL 2
SIERRA talks directly to MARY now.
SIERRA
How'd you... did my dad give you this?
MARY
Oh yes. I have a collection of them, actually.
PANEL 3
SIERRA's a little freaked out now. A strange lady she's
never heard of before a week or two ago apparently has a collection of photos
choronicalling SIERRA's life. She's definately freaked.
SIERRA
Why?
MARY
Please, sit.
PAGE 4, 4 PANELS
PANEL 1
MARY and SIERRA sit facing eachother.
MARY
Dan was always supposed to do this...
SIERRA
Do what?
PANEL 2
MARY reveals the secret of SIERRA's life.
MARY
Sierra, I'm your mother.
PANEL 3
SIERRA stands up.
SIERRA
No way... I knew my mother. And my father.
MARY
They adopted you when you were young. When you were just a baby.
SIERRA
No...
PANEL 4
MARY talks some more.
MARY
I know it's a lot for you.
SIERRA
You got that right. I'm not sure how you're expecting me to react.
MARY
That's alright. Maybe we should just call it a night and try this
again tomarrow?
SIERRA
Yeah... yeah, that'd be good.
PAGE 5, 4 PANELS
PANEL 1
SIERRA looks out the window with MARY approaching her.
Through the window, one should be able to see S-409, but not to the extent that
it's obvious she's there. Sorta hidden, ya know?
PANEL 2
Close-up on SIERRA's eyes widening as she realizes who's
outside.
PANEL 3
A circular panel showing us S-409 outside.
SIERRA (OP)
Holy shit...
PANEL 4
SIERRA runs outside, MARY following.
MARY
What is it?!
PAGE 6, 4 PANELS
PANEL 1
SIERRA looks around but can't find the cat.
SIERRA
Come on, kitty, where the hell did you go?
MARY
I don't understand...
PANEL 2
SIERRA puts her hands to her head and closes her eyes as
she tries to pick up on S-409's thought patterns. SIERRA's face and body should
be centered, with the background at a level angle.
SIERRA
Let's try this trick...
PANEL 3
Should look similalar to the last panel, but now SIERRA's
face is facing toward the left.
SIERRA
Got'cha.
PANEL 4
SIERRA runs off after S-409, leaving MARY behind.
PAGE 7, 3
PANELS
PANEL 1
Our first interlude with KINDLE begins. KINDLE stands on a
stage stripping as an audience of male watchers.
NEWSPAPER CLIPPING
SEATTLE, Washington -- A series of strange fire
incidents in the downtown Seattle area have made local residents nervous as the
person or party responsible has still not been taken into custody.
PANEL 2
Close-up of one of her watchers. This is the man she'll be
spending the night with.
NEWSPAPER CLIPPING
The incidents began shortly last week as a local
post-office was burned to the ground. Police that responded to the scene of the
crime were burned to death. No civilian witnesses survived to tell their side of
the story.
PANEL 3
Another shot of KINDLE, very mysterious.
NEWSPAPER CLIPPING
A local police psychiatrist, Dr. H. Lekter, gave a
brief description of why he thinks the person or persons responsible might be
doing this. "The culprit is obviously unnerved by society. The person chiefly
responsible believes him or herself supperior to all others, as he or she does
not fear the law or society."
PAGE 8, 3 PANELS
PANEL 1
KINDLE and her new "client" begin to make-out outside a
motel room.
NEWSPAPER CLIPPING
Other incidents as of late have included the discovery
of a burnt dog, a teenage boy found in flames, and a prostitute found with burns
all over her face.
PANEL 2
KINDLE opens the door and teases the man to come in, doing
sort of a dance in front of him as she motions for him to come in with her.
NEWSPAPER CLIPPING
Individuals with knowledge of who the person
responsible is are advised to stay clear of him or her to all extent.
PANEL 3
A large panel of inside the motel room. The man slams the
door as KINDLE begins to pull off her shirt.
PAGE 9, 3 PANELS
PANEL 1
SIERRA stands in front of a very large building. Try to
use a good angle to display the sheer mass of this building. It is surrounded by
a large fence and we can see that it is guarded by several guards (at least of
which must be female).
PANEL 2
SIERRA walks by part of the fence that has a sign on it.
SIGN
(Go to http://www.ufomind.com/area51/photos/charles_ames/ames_sign_cu.jpg
to see what the sign says. This picture is the sign that addorns the fences of
Area 51).
PANEL 3
A shot of several guards, all spaced out around the
complex.
PAGE 10, 5 PANELS
PANEL 1
A female guard thinks she hears something.
PANEL 2
In a daze, she moves outside the complex.
PANEL 3
Around a corner she goes.
PANEL 4
And now she's there with SIERRA and begins to take off her
clothes.
PANEL 5
SIERRA begins to put on the guard's clothes and laughs as
the guard stands, in a daze, in her underwear.
SIERRA
This is getting too easy.
PAGE 11, 3 PANELS
PANEL 1
Another interlude begins with KINDLE. KINDLE looks at the
clock on the dresser next to the bed.
PANEL 2
KINDLE rolls over and looks at the guy and kisses him on
the cheek.
KINDLE
Gotta go, lover.
PANEL 3
The man grabs her by the arm.
MAN
One more for the road.
PAGE 12, 3 PANELS
PANEL 1
KINDLE grabs the man and gives her a violently passionate
kiss.
PANEL 2
The man's eyes widen in fear.
PANEL 3
KINDLE continues to kiss the man as his head is on flames.
PAGE 13, 3 PANELS
PANEL 1
MARY looks at the photos in her house of SIERRA that
decorate her walls.
PANEL 2
MARY takes one off the wall and looks at it.
PANEL 3
MARY begins to cry.
PAGE 14, 3 PANELS
PANEL 1
SIERRA walks through the halls of a large storage area
full of boxes. This is the same area displayed in the end of Raiders of the Lost
Ark so please, review this segment of the film before drawing this page. Try to
do it at the same angle as in the film.
Go to the following URL's for reference:
http://www.angelfire.com/me/jakub/indy/raiders/indy-net_screen029.jpg
http://www.angelfire.com/me/jakub/indy/raiders/indy-net_screen029.jpg
And go here just for the hell of it: http://www.starfleet.com/liem/x-files/warehouse.html
PANEL 2
SIERRA walks through a room full of species creatures. Be
creative. Draw anything you want.
PANEL 3
SIERRA walks through an arsenal room.
PAGE 15, 3 PANELS
PANEL 1
SIERRA reaches the outside of two large doors. SIERRA puts
her hands to her head again.
PANEL 2
SIERRA realizes who's inside: S-409.
SIERRA
This is it.
PANEL 3
The doors open, but we can't see inside. However, we do
hear a voice.
VOICE (OP)
Hello Sierra.
PAGE 16, SPLASH PAGE
In front of SIERRA stands SHAWN COLLINS with S-409 on a leash. S-409 looks feral. SHAWN looks scary. SIERRA looks like she's pissed her pants (well, maybe not that scared, but enough).
SHAWN
We've been expecting you.
TO BE CONCLUDED!
